Sunday, January 24, 2010

curaTOrial


Two-headed Squirrel by Chevaux de Bois, won at Come Up To Room

It's a busy weekend for a designer in Toronto this weekend. There's the Interior Design Show, the Toronto International Design Festival, and smaller exhibitions like the Gladstone's Come Up to My Room and Made's Radiant Dark. There's simply too much to do. We managed to see a lecture by Tobias Wong and Cynthia Hathaway at Harbourfront and I managed to get to the Gladstone but that's it.

Otherwise, it's a typical Toronto weekend. Cold. Wet. Grey. Construction on Queen St. W. Confused (utterly confused) TTC bus drivers. Re-routed street cars. Such an ugly time of year to have company visiting.

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Thursday, December 31, 2009

Too Good for T.O.


image via BlogTO

Recently I dropped into Nadege Patisserie on Queen West to pick up a paintbox mix of their incredible biscuits (flourless by the way). A special something for a special someone. My first thought was that this was a nice place, particularly by Toronto standards. After tasting some of these Marie Antoinettes (really?) my next thought was, "this place is too good for Toronto".

Yes. This place is so good, you'd expect it to be somewhere like New York or London or maybe even Paris. But Toronto? Really? Then I had another thought, there area a few things that Toronto, a city bereft of any design sense, despite being a center of design activity economically, just doesn't appreciate or deserve. Like the Japanese Paper Place also on Queen. This exceptional shop has been bringing some of the finest handmade papers from Japan and Italy for years without barely a peep. Swipe Books on Richmond is another exceptional store for both it's inventory and knowledgeable staff that gets nary a mention around town. Coach House Press. Ed Burtynsky's Image Works. Hariri Pontarini's McKinsey & Company Toronto Office. All examples of things that this town doesn't deserve.

Of course, there are a lot more things that actually are not good enough for Toronto. Things like the TTC, cycling lanes, storm sewer infrastructure, the municipal government, are all sub-par for a city of Toronto's size and economic importance.

So please, Toronto. Don't screw up the good stuff and let's try to make the crappy stuff better.

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Tuesday, July 1, 2008

FishNet News



While FishNet may be gone, it's far from forgotten. After all, the National Post named the exhibit one of the Top Five Things to do in Toronto (right after Star Trek: The Musical). The exhibition ended June 22, but some of the remaining fish are on display in the Harbourfront Centre's shop, Bounty. The shop will also continuing "releasing" the fish as explained by Angela in this interview from May for the Ontario Waterkeeper's weekly podcast:



Mentioned:
FishNet: The Great Lakes Craft and Release Project
Harbourfront Centre
Ontario Waterkeepers

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Friday, May 9, 2008

Decontaminate



Arnaud Maggs
Contamination 2007

As part of Toronto's Contact Photography Festival, Susan Hobbs Gallery is displaying a new collection of photos by Arnaud Maggs called, "Contamination". Maggs is well known for his serial pieces (grid-like arrangements of black & white portraits, such as his "48 Views Series" – a "9-foot-high, 31-foot-long collection of photo-booth-type pictures of 162 people, each photographed 48 times") and this show continues to build on his earlier work. Arnaud Maggs came to fine art relatively late in life. While having a successful career as a graphic designer working in advertising and typography, Maggs, at the age of 40 decided to pursue art instead. It's this background that informs so much of his photography. Perhaps it's his designer's eye applied to his artistic pursuit or the other way around, his artistic eye guiding a highly skilled and meticulous technique yet whatever the case, the images seem to have particular interest to designers. There's something in the process of contemporary artists that fascinates and more crassly put, something from which we hope to glean insight and put in our own work. In this latest exhibit, a collection of images of empty mouldy sheets from a Gold Rush era ledger, each image forms a sectional view of the three-dimensional mould as it spread through the stack of pages, not unlike tree rings of a cut log. There's also more than a hint of sadness that accompanies the beauty of these images; as if someone's story was left untold and neglected through all those years. If you are in Toronto, then visit the gallery and see for yourself. For additional information listen to Julie Glick from the Mass Art Guide interview Arnaud Maggs from February, 2008 (run time: 22 minutes):

Click here to listen.

In this post:
Toronto's Contact Photography Festival
Susan Hobbs Gallery
Arnaud Maggs
Mass Art Guide

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Monday, May 5, 2008

Great Lake Swimmers



photo: Bernice Iarocci
Our colleagues, Angela Iarocci and Claire Ironside at moimoi design have been busy. Really busy. Busy on a project that expresses the diversity and fragility of the Great Lakes bioregion. Over 2000 students, educators, artists and designers have been brought together through Project Fishnet to create over 1200 textile fish now exhibited at Harbourfront Centre in Toronto. Angela and Claire have been working at a pace that would make James Brown look like lazy. That pace hit a fever pitch in the last two weeks as volunteers were culled from every corner, photos were Photoshopped, graphics were printed and fish were strung. The show opened last Friday and from everything I saw it was a hit. I think some of the hard-core art folk were a little taken aback by the presence of so many kids, though that didn't stop them from polishing off the punch bowl (oh yeah, ol' skool punch bowl).

Check out the Fishnet Web site, and gallery of fish crafted by artists and kids alike (including your humble author).

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Sunday, November 18, 2007


Thout's Old School Table

Every week or so I consider canceling my Saturday subscription to the Globe and Mail. It's become a collection of sections and columnists that I don't enjoy that much. Particularly galling is the cursory treatment design gets in the thin, superficial and paltry "Style" section. This Saturday was different. The Globe article and interview with Thout Design's Patrick Turner and Andrea Pearson shows a willingness to explore design that is about more than just condo interiors or the latest shiny tchotchke. Plus Andrea and Patrick are friends of ours and deserve the attention. I guess I can keep my subscription for another week.

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Monday, October 8, 2007

We Give Thanks to Thee, OFT



This week, as part of The Alphabet City Festival 2007, I visited one of North America's largest and oldest food distribution depots. The Ontario Food Terminal is described as Canada's largest wholesale fruit and produce terminal yet this 40 acre site squeezed between the Gardiner Expressway and CN rail lines to the South and The Queensway to the North is barely noticed by most Torontonians. Despite its size and visibility, it may as well be as buried as Toronto's water and sewage system. Perhaps the analogy is apt as the OFT is the infrastructure that feeds most of Toronto and Southern Ontario. Anything you buy from a corner grocer in Toronto, passes through the terminal before it passes through you.

One of the things that makes the OFT so successful and efficient is the location. Situated on the edge of both major rail lines and an expressway, sellers from all over Ontario, Canada and beyond (far beyond) deposit goods on the Toronto's doorstop, and buyers who pick up those goods have access to Canada's largest markets. That traffic in and out of the Terminal gives it the feeling of a small city within a city (in 2006, over 30,000 vehicles delivered 947,000 tons of produce). Forklifts and trucks weave through cold storage vaults, past stalls of berries, hot peppers, melons and squash 24 hours a day, 365 days of the year. When the OFT opened in 1954, it probably felt like it was in the sticks, out on the edge of a growing city. Now, 50 years later, the site is bounded by ever encroaching condominium towers to the South and an increasing retail sector on the North. Given that the City of Toronto is always eager to wipe out light industrial or commercial properties in favour of condo developments, it is surprising the OFT has lasted and prospered. Thankfully it has.
"Anything you buy from a corner grocer in Toronto, passes through the terminal before it passes through you."

Why is that so important? Simply, if a city is to prosper, it needs food. From another viewpoint, if we want to consider the idea of a sustainable city, then we have to maintain nearby agriculture and a way for those farmers to get their goods to the urban market. While a true 100 Mile Diet may not be the attainable for most Canadians, Ontarians can eat pretty well within provincial boundaries but only through a mechanism such as the Ontario Food Terminal. Throughout the summer, as I rode my bike to different Farmer's Markets I wondered why there couldn't be a St. Lawrence-type supermarket that showcased local produce. Unknown to me, someone was already doing it. Also, unknown to most city residents, Ontario farmers show up sometimes as early as 2AM at the Terminal's Farmer Market to get their produce off their trucks and into our mouths.


Silent Running, Universal, 1972
"It calls back a time when there were flowers all over the Earth... and there were valleys. ... and there were things growing all over the place, not just in some domed enclosures blasted some millions of miles out in to space."
Freeman Lowell, Silent Running, 1972

Before I'd stepped a foot into the OFT, I'd been reading about the importance of crop diversity and the Svalbard Global Seed Vault in the New Yorker. The issue of hybrid seeds and the potentially damaging patents that Western chemical concerns have inflicted on growers of the world is as disheartening as the Food Terminal tour was uplifting. We can only hope the Svalbard vault, which has been nicknamed the Doomsday Vault won't have the same fate as Bruce Dern's space-borne arboretum in Silent Running whereby a renegade gardener commits murder and suicide to protect the Earth's last remaining forest. As of this Thanksgiving Monday, despite the record-setting 30+ temperatures, we can at least try to correct our eating/growing/consumption practices and give thanks that we have a buzzing, ever-active Food Terminal in our back yard.

You can read more about the OFT and the Svalbard Seed Vault in the current issue of Alphabet City.

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Tuesday, June 5, 2007

T.O. Phallic Symbol Inadequate



There have been many assaults on Toronto's CN Tower and its claim to be the World's Tallest Freestanding Structure, but now it seems as if the Japanese are planning the ultimate one-upmanship - by actually building a taller tower. How dare those sandal-wearing-goldfish-tenders build a tower to touch the sky?! What ever will antennae loving Torontonians do without their beloved lightning rod? I guess we'll just have to get used to saying, "I remember when...the CN Tower was the World's Tallest Freestanding Structure." My advice to the citizens of Tokyo, beware of falling ice.

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